Onkyo <3 Apple

Apple-Remote Onkyo logo As if the iPhone/iPod touch/iPad family wasn't already encroaching on distributed audio and home automation control systems, Onkyo announced that its future A/V receivers will come with free iOS remote control apps. This is a good idea for Onkyo on several levels: it allows Onkyo to tap into Apple's marketing momentum, and gives it the ability to market a rich touchscreen remote control without having to add anything to the bill of materials for the receiver.

Of course, using a phone as a remote can be problematic – what happens when someone wants to use the system and you're on the phone or out of the house? Dedicating an iPod touch to remote control duty – especially if you invest in a charging dock so it stays charged and doesn't wander off – solves this problem, and gives retailers who carry both Onkyo and Apple products a nice add-on sale at time of purchase. Consumers may balk at the added price, but the truth is that Apple's component prices are so much lower than specialty A/V vendors that it would probably be cheaper for Onkyo to buy an iPod touch and include it in the box rather than try to build an equivalent product for use as a remote control.

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RIP Snell, Escient

Not sure where I was when this crossed the wire back in April, but I was saddened – but not surprised – to learn that D&M Holdings shut down both Snell and Escient

Snell was a high end speaker brand without enough brand recognition. Selling $30,000 speakers in a recession is extremely hard. Selling $30,000 speakers from a brand that only involved enthusiasts have heard of is basically impossible, no matter how terrific they measure and sound (Snell was famous for rigorously achieving ridiculously flat frequency measurements). 

I suspect that the recession did in Escient, which made well regarded music servers, as well. Sure, some of Escient's functionality made its way into Windows and iTunes over the years, but the general collapse of the custom installation business was the bigger culprit. That and the rise of Sonos, which is dead simple for regular consumers to install, and considerably less expensive than any custom solution.

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Sonos Goes Stereo

Just a quick note today: Sonos just started shipping a new software update that adds some new Internet radio options, crossfading between songs, some new language support, new alarm settings, and the ability to use two S5's as a stereo pair. None of the features is critical on its own (though the S5 stereo feature is quite cool; when everything is digital, you can do all sorts of neat things) but Sonos already built the best multi-room component system. I sent back my Sonos review system so I can't test this personally. Sigh. 

With the Sonos gone, we've been using Logitech's Squeezebox Boom (OK; needs a better remote, the UI is just "OK," and the Sonos is better for multi-room use). The Squeezebox Touch just showed up, and I'll put that to the test once I get some speakers for it.

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Onkyo Answers My Question

A couple of weeks ago I asked how early adopter (and device analysts) with multiplying digital components could possibly connect them all.

Onkyo issued a press release this week for three new connected home theater receivers (by "connected" I mean that they can access Pandora and Rhapsody services via the Ethernet port on the back. That puts them in the list of devices we'd like to cover at Current Analyis). 


  • Txnr_5007_rear_300 The top model, the $2,699 Onkyo TX-NR5007 features 8 (yes, 8) HDMI 1.3a inputs (including one on the front panel) and a pair of parallel HDMI 1.3a outputs.
  • The next model down, the $2,099 Onkyo TX-NR3007, has 7 HDMI 1.3a inputs (including one on the front panel), and a pair of parallel HDMI 1.3a outputs. 
  • Even the entry model in the group, the $1,599 Onkyo TX-NR1007, has 6 HDMI 1.3a inputs (all on the back panel, this time) and a pair of parallel HDMI 1.3a outputs.

None of these are cheap, but they are packed with all the latest buzzwords (Audyssey DSX and Dolby ProLogic IIz), technologies (Audyssey room optimization and 1080p/24 image upscaling by HQV Reon-VX or Faroudja DCDi), and oodles of amplification for up to 9.2 channels on the off chance that you just won the speaker lottery. The dual HDMI outputs across the board is a huge boon for anyone with multiple displays (one TV and one projector, or two TVs in different zones) and eliminates the need for an external matrix switcher (which can either be expensive or a bargain, but a bit of a gamble and in any case is another box in your rack that you don't want). Six to eight HDMI inputs may sound excessive, but I'll take it; literally – I'm asking for a review unit.
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More Inputs, Please!

AV inputs I was talking with Microsoft about the XBOX 360 earlier this week, and one of the things they said will drive consumers to their console vs. the competition is the integration of multiple features into Live, such as Netflix streaming, gaming, and other content. At Current Analysis our Digital Home service covers game consoles from the perspective of connected services; we treat a PS3, XBOX, or Wii like the fancy set top boxes (that not coincidentally also play games) that they have become. However, I thought we were a bit ahead of the curve – most consumers haven't fully embraced this vision yet. But when FedEx dropped off yet another box here this afternoon, I started thinking: how on Earth am I going to connect this? Is Microsoft right – will consumers buy a game console to access digital services simply because they're out of HDMI inputs on their TV?

Now I know that my situation is not something everyone faces, but how many devices can a consumer reasonably connect to a TV or even a sophisticated A/V receiver? I'm not sure there are enough inputs any more – even on flagship receivers – to connect all the possible devices an early adopter/TV nut might want to. (Some of these offer redundant functionality, but even then there are typically unique functions that could justify their purchase.) Here's a sample list:

  1. TiVo HD (DVR and cable/OTA tuner, Netflix)
  2. Cable box (tuner and VOD, may have integrated DVR)
  3. Satellite Box (tuner, VOD, unique sports programming, may have integrated DVR)
  4. SlingBox (to stream content to PCs and mobile devices)
  5. SlingCatcher (to integrate PC content)
  6. XBOX 360 (some unique game titles, Netflix, DVD playback, streaming PC media)
  7. PlayStation 3 (some unique game titles, Blu-ray playback, DVD playback, streaming PC media)
  8. Wii (many unique game titles)
  9. DVD/Blu-ray player (if you don't have PS3)
  10. AppleTV (iTunes integration)
  11. Roku (for Netflix, but even if you have a TiVo HD or XBOX 360 with Live Gold which also offer Netflix, you still might want a Roku for Major League Baseball access)

I'm trying to integrate about eight or nine of those, and I'm not sure that there is a receiver on the planet that can handle more than about half that list.

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E3 Wrap-Up

E3 header - full I'm in charge of Consumer Devices at Current Analysis, which is actually composed of two separate groups: Mobile Devices and Digital Home. I've been in charge of the devices portion of our Digital Home service since the beginning of this year, and while I intend to continue posting here about home theater, I thought I'd plug noteworthy Digital Home reports on this blog as well. This year's E3 (the electronic gaming show) crossed over both of my coverage areas. I stayed home this year – I'm on the road a lot as it is – but Bruce McGregor, our Senior Analyst, Digital Home was there live. This isn't a new console year, but there were multiple announcements around new services, and Bruce wrote up announcements from Microsoft and Sony, while I covered the PSPgo.

(The report links require paid access to Current Analysis' syndicated research service; journalists who need free access should contact me and we'll get an account set up for you.)

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E3 2009: Sony PSPgo Doesn't go Far Enough
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E3 2009: Sony Offers More Movie and TV Show Downloads for Its PS3 and PSP
Devices
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E3 2009: Microsoft Shows Off Several Xbox 360 Upgrades to Embolden Its Place in the
Living Room
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Klipsch vs. Klipsch

Another one from the email bag today:

I've been searching for a great sounding speaker system for
computer use (Pc & MacBook Pro in the near future). I mainly want it for
music, it will also be used for movies & games since I have a 40"
connected to my pc. I've heard a bunch of systems, but nothing stands out of
the crowd (I like to hear all sounds in a track as recorded). I ended
up deciding on the (Axiom Audio Audiobytes and EPZero Subwoofer) till I read
your review of them. What is your choice since I do listen to Trance & Hip
Hop and do a little mixing? I noticed you like the Klipsch 2.1. Is that your
favorite choice? I don't mind spending around $500 if the system is well worth
it.


Klipsch 5.1
My preferred PC speakers are the
Klipsch ProMedia 5.1, which Klipsch discontinued way back in 2003. I have
tested several systems since then, including the Axiom AudiBytes and Logitech’s
Z5500 5.1 THX system, and I still prefer the old Klipsch. The Klipsch ProMedia
2.1
system looks similar to the 5.1 in photos, but it is not even close in terms of
specifications. The speakers have different frequency response ranges,
different maximum output levels, and different materials. The 2.1 subwoofer is
much smaller and has a completely different configuration. As soon as I find a
speaker system that beats the Klipsch I’ll write about them – and probably ask
to buy the review samples – but thus far I haven’t.

-avi

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Help me learn the new lingo (also the SlingCatcher is finally shipping)



I was talking to my wife this evening, telling her about the new SlingCatcher (her term for these conversations is "lectures"), and she pointed out that my terminology, "wicked cool," is really, really old. Sad thing, I'm really really old. I have no idea what current slang for that would be. Tight? Sweet? Five by five? (That last one was on Buffy. Which has been off the air for years now, sadly.) Any help appreciated.

Catcher-landing-hero
Oh, and the SlingCatcher is now shipping. The "wicked cool" feature I was trying to describe to my wife – before she so rudely interrupted the lecture – is the ability to take anything on your laptop and send it to your TV. Anything. You use something that works like a cropping tool to select whatever you want to see on the big screen – YouTube video, Hulu TV shows, Word documents, embedded video of a dubious nature, a Facebook page, whatever, and SlingCatcher broadcasts just that portion of the screen – nicely scaled – to your TV. That's not all the SlingCatcher can do; you can also use a SlingCatcher as a "receiver" for a SlingBox elsewhere in the house, or for the more traditional PC-to-TV media uses, like playing music or viewing photos from a PC. But the screen broadcast feature is wicked cool.

I should have a review unit in shortly; I have a SlingBox HD in for review as well.

Help me learn the new lingo (also the SlingCatcher is finally shipping) Read More

Odds and Ends

Z-5
Logitech sent over Z-5 Omnidirectional notebook speakers. They're not going
to put my Klipsch THX speakers of business (not by a long shot), but you need to remember that they're powered
entirely via USB and don't take up too much desk space. Simplicity is clearly the goal here; the last USB-powered speakers I looked at, Altec Lansing's XT1's were designed with portability in mind. Compared to the XT1's, Logitech's Z-5's play extremely loud and sound
extraordinary. They should make a great holiday gift for the notebook user who listens to music through fuzzy notebook speakers.



Logitech also sent over triple.fi 10 pro's from their recent Ultimate Ears
acquisition, and I had them on hand at the recent Apple "Let's Rock" event, where I pitted them up
against Apple's upcoming $79 in-ear headphones.

Triple fi 10 pro
Apple in-ear headphones

You get what you pay for – on
both ends of the price spectrum. For $79, the Apple headphones sounded great –
easily competitive with the low end of Shure and etymotic's range, and they blow
away Bose's in-ear efforts (I can't comment on UE's entry level headphones, as I
haven't listened to them). But they couldn't hold a candle – on bass or midrange
– with the $399 UE's triple.fi 10 pro's. I was also annoyed that the Apple
headphones are not fully compatible with the iPhone, just the iPod touch and new
nano. (That new nano needs to be felt to be believed – it is vanishingly thin and the colors are gorgeous. Apple did a really nice job with this one.)

I'm really enjoying the triple.fi headphones, and finally had a chance to do some quick listening tests vs. one of their main competitors: Shure's $499 SE530. For natural, neutral sound quality, the
SE530's are incredible, as well they should be at that price. The UE triple.fi 10 pro is a bit less neutral and seems
to amp up the body of bass and warmth of the lower midrange – which is often
lacking on headphones. Both are equally revealing, but I would describe the
sound of the UE's as more "fun. Which is better? It's a matter of taste. While I suspect the Shure's are more accurate, listening to rock and pop with the UE's is more involving.

But my favorite headphones for the iPhone (and any phone with a 3.5mm jack, which includes most new RIM BlackBerries, Nokia's XpressMusic line, and select LG and Samsung phones) are still Shure's SE530's with the Shure iPhone microphone adapter, pictured below. They sound great
with the compressed music you have on an iPhone, have the most comfortable
shaped foam earplugs in the industry, and the modular design allows you to swap
out various cord lengths or accessories.

Se530pth Shure phone adapter


Odds and Ends Read More

Is it a Receiver or a PC?

CEDIA and IFA news is filling up my inbox, but one press release jumped out at me. I’ve seen similar features from other manufacturers (Onkyo immediately comes to mind), but the emphasis on digital media features in a new receiver from Yamaha was a big enough shift for me to write about it. Here’s the headline:

NEW YAMAHA RX-Z7 7.1 CHANNEL HOME THEATER RECEIVER EXPANDS ON YAMAHA’S HIGHLY ACCLAIMED Z-SERIES, OFFERING SOPHISTICATED HOME ENTERTAINMENT AND BEST-IN-CLASS HD PERFORMANCE

Well that sounds like any other high end super receiver. But wait, here’s the subhead:

Following the Lead of the Company’s Flagship RX-Z11; The RX-Z7 Integrates iPod, Bluetooth, HDRadio, Satellite and Internet Radio, and Rhapsody Playback with Pure HD Sound and Picture in a Versatile Multi-Zone Digital Media Hub

If this makes it seem like Yamaha is not trying to differentiate the receiver with amplifier channels or surround sound decoding — the traditional reasons to buy a receiver — you’d be right. Here’s the third paragraph of the release:

Offering DLNA support and compatibility with Windows Vista, the RX-Z7 can stream music files (WAV, Mp3, WMA, AAC) stored on locally networked PCs and other devices, as well as Internet radio streams (Mp3, WMA). In addition to supporting SIRIUS Internet Radio*, the unit offers full compatibility with Rhapsody, giving users unrestricted, on-demand access to the subscription music service’s enormous selection of content spanning virtually every genre, style and taste. The RX-Z7 also integrates with Yamaha’s MusicCAST system, providing access to as many as 40,000 songs that can be stored on that system. The AV receiver can display album artwork through its GUI to take user engagement to a new level.

That sounds like a PC media extender, not a receiver. The fifth paragraph really takes it above and beyond:

The RX-Z7 is the ultimate AV receiver for iPod users. It easily connects to Apple iPods via the optional iPod docking station (Yamaha YDS-11; MSRP $99.95). Once docked, the iPod can be operated via the receiver’s remote controls. A one cable connection allows users to view the iPod’s operating status (song title, artist, album with cover art), as well as video and pictures on a television monitor. Docked iPods charge automatically, so they’re always ready for a road trip. Giving users even more ways to access their music, the RX-Z7 boasts two USB ports that adhere to the Media Transfer Protocol (MTP) for playback of Mp3, WMA, WAV and AAC audio files from a portable player or USB drive.

For those who keep music stored on their phones or other Bluetooth-enabled devices, the RX-Z7 is compatible with Yamaha’s optional YBA-10 Bluetooth Wireless Audio Receiver (SRP $129.95), which enables wirelessly streaming audio to the AV receiver. 

… The RX-Z7 also supports iTunes tagging, so when users hear a favorite song on HD Radio, they can instantly bookmark it to their iTunes account.

XM Radio and HD Radio support are also on board, as are multiple channels of amplification, video scaling, HDMI switching, and multi-room support. Still, the differentiating features are all about managing PC-derived digital media.

High end receivers have always been about offering lots of features and flexibility. But when you emphasize streaming media, Vista support, Bluetooth, and extensive iPod integration, it sure sounds like a PC to me. Why not just put an HDMI switch and amplification unit in a PC? All the digital media management is already on there as is video scaling and surround sound decoding. Yes, the inside of a PC is an electrically noisy place, and putting amps inside would require a different power supply. But these are design issues that can be (and already have been) overcome in other contexts.

Is it a Receiver or a PC? Read More