Try It and You Won’t Go Back. (Or will you?)

Jeremy Toeman over at LiveDigitally talks about the "living room effect" that can convince even the most hardened skeptic to make the move to HDTV.

I’m a big proponent of experiencing products in order to understand their impact, but there are certain things that even a demo can’t cure. I find this uniquely interesting on a personal level because the "living room effect" hasn’t proven to be true here, at casa HomeTheaterView. I’ve had a 53" LCOS HDTV for 2+ years, Jvc_hdtv but reception is over the air (when we get it – it can be flaky), and our ReplayTV is hooked up to the analog cable feed. I refuse to watch SDTV when HDTV is available for the reasons Jeremy cites, but my wife is equally adamant that she will not watch content live with commercials. HDTV encompasses more than one improvement to TV watching — dramatically higher resolution, digital surround sound, and a widescreen aspect ratio. But my wife prizes one feature above that, her time, and would prefer to watch fuzzy contents and save 18 minutes an hour rather than bask in the glory that is HD.

My wife may be somewhat unique, but there are plenty of TV-loving consumers who have priorities that preclude HDTV at this time. HDTV up front costs are high; HDTV has come way down in price, but sets are still fairly expensive. Ongoing costs of HDTV can be considerably higher than analog, depending on the technology used to recieve the signal. Cable HDTV requires upgrading to a digital package and renting a set top box; some cable and satellite providers charge separately for HDTV channels. And a lot of content – the vast majority of cable channels – is unavailable in HD, so if that’s what you watch, buying an HDTV won’t make things better (and in some cases, it’ll look worse).

A TiVo series 3 may be in my future. I have asked TiVo for a unit to review here; hopefully one will show up soon, and my wife and I can watch TV together again.

-avi

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CEDIA Highlights, Part II

In last month’s CEDIA Highlights post, I noted two projectors that broke through the clutter (and there was a lot of clutter: my in box has dozens and dozens of press releases). There was a third announcement that caught my eye, and, surprisingly, it, too, was projector-related.

THX is now certifying home projectors.Thx_and_tex_1

On the surface, this does not seem surprising – THX certifies just about everything. In fact, don’t they already have a certification program for displays? It certainly seems like they did. (Actually, they did – but only as part of their commercial theater certification program.) THX is starting out with ludicrously expensive Runco models, but the program should trickle down to more affordable home projectors, rear projection televisions, and flat panel displays.

Not everyone loves THX. First of all, it’s a licensing program. It costs money to get the logo, but doesn’t offer anything concrete in exchange; theoretically, if your product meets all of THX’s specifications, you could be THX-certifiable without actually being THX-certified and pass the savings along to your customers. A bigger issue is that THX’s specifications are based on a specific philosophy. On the audio side, the philosophy includes notions of how a speaker should be constructed (small satellites, big subwoofers, and a specific crossover type and crossover frequency), how soundtracks mixed for commercial theaters should be adapted for the home environment, and how rear speakers should be integrated into a system. Reasonable people at, say, a speaker manufacturer, could disagree on an aspect of the technical approach that THX certification demands, but because the THX logo is respected in the market, they may lose business by building things their way instead of THX’s methodology.

THX Certified Display testing includes the following:

  • Front of Screen (FOS) Testing
    • Luminance
    • Contrast
    • Color Gamut
    • Gamma
    • Uniformity
    • Max Resolution
  • Video Signal Processing Testing
    • Scaling
    • Deinterlacing
    • Motion/Video Conversion

I am 100% confident that there will be controversy over THX’s video specifications. I couldn’t tell you what specifically will cause hand wringing – or whether it will be a specification of omission: THX’s video certification program was been rightly villified several years back for certifying terrible letterbox transfers; the specs simply didn’t go far enough in that case.

Still, I believe that, on balance, THX is an incredibly positive force for home theater audio and video reproduction. If you assemble a THX-approved system, even from different vendors, you know that the individual products will perform to a certain set of specifications, and that they were designed to complement each other. I also appreciate the notion of a certification program in the first place. Sure, Vendor X has a good reputation, and Vendor Y has a powerful brand. But THX drives the entire industry, for better or worse, towards a unified A/V philosophy. Aside from buying every component in your system from a single brand — as if that were even possible (outside of Sony and Samsung) — THX assures a level of uniformity of purpose and performance in home theater products. I like that.

-avi

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CEDIA Highlights, Part I

To all the PR people trying to set up meetings with me at CEDIA this weekend: I’m not there. I just got back from CTIA before heading out again early next week, and CEDIA just didn’t make it onto the schedule this year.

Of course, I’m following the show remotely. So far, only a couple of announcements have really broken through the clutter, and they’re two projectors that offer clear value propositions:

  • Vplvw50_close_med_1 Sony’s 1080p VPL-VW50 SXRD front projector, which brings essentially the same technology from the $25,000 Qualia line (that then showed up in the $10,000 VPL-VW100 front projector, and then again in a line of Bravia rear projection TVs) down to $5,000. In the U.S., where big screen TVs have long been available (along with the floor space to put them) mid-priced projectors often sell well. Overseas, where a projector is replacing a big screen TV, not supplementing it, budget projectors tend to do better. Regardless, $3,000 – $5,000 is a sweet spot for pricing, and now performance follows. Sony can claim it uses unique technology for superior image quality, which fits nicely with its brand history (and just might be true. I personally prefer the slightly smoother picture from SXRD/D-ILA technologies compared to DLP or LCD).
  • Sc1011 At the opposite end of the price spectrum, if you’ve got hundreds of thousands of dollars to spend on a Bentley, you may want to consider a Runco Signature Cinema SC-1 instead (starting price: $250K. More if you want the 2.35:1 version). And a 40 foot screen for your home theater. While you might think there is no market for such ridiculously expensive toys, think again: when I last spoke to TI, they admitted that a fair number of professional DLP products aimed at commercial theaters end up in the homes of the super-wealthy film enthusiast. Or at least the super-wealthy conspicuous consumer who needs the absolute best of everything.

-avi

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LIVEDigitally Reviews Gefen Switcher

Gefen_live_digitally_1 I always wondered how well Gefen’s line of switchers would work in the real world. Gefen used to make switch boxes for the broadcast world which began finding their way into HDTV households as connectivity formats increased without a commesurate number of inputs on TVs or receivers. Lately, some of Gefen’s products have been picked up by home theater distributors, and Jeremey Toeman over at LIVEDigitally gives a 4 x 1 unit (4 HDMI inputs, 1 DVI output) a strong review.

One side note: simple boxes that switch analog formats can be had for $29.99 at Radio Shack, so there’s often sticker shock when people see what looks like a simple product with a price tag 10x higher. Gefen’s 4 x 1 sells for $300, and while there are certainly healthy margins built into the price tag, it is not a simple mechanical device like that speaker selector box. For now, most of Gefen’s boxes have been sold to professionals (either in the broadcast industry or custom installers), but as its products move into retail, the company should spend a few dollars on packaging and POS (Point Of Sale) marketing materials extolling the virtues of passing along HDCP signals, bandwidth specs, and pretty pictures of the innards. Monster does this to great effect with their entire product line. Of course, the HDMI or DVI cables for each of the devices are also much more expensive than RCA video cables, too. Consumers can easily double the price of the Gefen switcher by the time they’re done setting up a system (and they thought they blew the budget on the big plasma TV…). HD connectivity can be pricey.

-avi

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Samsung Blu-Ray Launch Did Not Impress

Samsung_bd_1I attended Samsung’s Blu-ray Disc player launch this evening at the Samsung Experience in New York and came away disappointed. There were several things wrong with the launch, starting with the fact that it was off by ten days (the players won’t actually be available for sale until the 25th):

  1. Samsung’s prepared remarks were overwraught, telling us over and over again how much we would be blown away by Blu-ray, and to prove this they showed a cheesy video and a few movie previews that, quite frankly, weren’t all that impressive on the pair of Samsung DLP TVs at the front of the venue.
  2. Samsung boasted – several times – about how they were the first in the world to launch the product. This may be true (though, technically, the actual launch is still 10 days away). But Blu-ray follows HD-DVD’s launch in the market. There was no discussion of that elephant in the room whatsoever. No comparisons, no predictions, no explanations of why consumers will choose Blu-ray. Nada. It was like HD-DVD not only didn’t beat Blu-ray to market, but that HD-DVD doesn’t exist in the first place.
  3. Finally, we were shuffled off to a side area that was intended to look like a living room. Nothing was done to acoustically isolate the "room" – actually just curtains – so the sound bled in from both the Terminator 2 demo in the other "living room" and the loud music in the main area. Thus, audio quality was impossible to evaluate. This was a shame, because the super-exciting video clip we saw earlier had promised AMAZING sound!!! demonstrated in the video by little helicopter outlines flying out of the speakers and INTO THE GUY’S EARS!!! AMAZING!!!
  4. The "living room" was equipped with another 50" (or perhaps 60") Samsung DLP. On the one hand, this is the sort of setup a consumer might have in their home. On the other hand, if you’re really trying to create an immersive experience to show off the player’s capabilities, wouldn’t you want to go with a larger, more immersive image from a front projector?
  5. Finally, the demo… The demo group I was in was shown a segment from 50 First Dates. I like the movie, so I had high hopes, especially since this is not standard T2/Fifth Element/Anything-By-Pixar demo material – it’s a romantic comedy. If 50 First Dates is better in HD, then anything is.

    50_first_datesIt started off well – Adam Sandler by himself on a boat with beautiful Hawaiin scenery in the background, all in clearly higher resolution than DVD and more saturated colors than is typical for DVD. Then, the sound mysteriously went out (the Samsung rep blamed the glitch on a Samsung A/V receiver). By the time sound was just as mysteriously restored, the cinematography had moved to a close up of Sandler’s face, then flashbacks, then a soft-focus shot of Drew Barrymore. None of this was enhanced by HD. Then a longer sequence leading to Mr. Sandler asking Drew whether she recognized him at all. This sequence, too, did not appear to be much improved from a DVD. While the background scenery really popped in one scene, based on this experience, I’d have a tough time recommending the Blu-ray "experience" at all.

Now, it’s certainly possible that the sound glitch was just a glitch. And that in a controlled environment, there would be audible benefits to the enhanced bit rate version of Dolby Digital used on Blu-ray. And that, over the course of an entire movie – we saw just a few minutes – the higher resolution video would have altered the experience. It’s even possible that while romantic comedies such as 50 First Dates do not benefit from Blu-ray, an epic film, animation, or sci-fi really would. I have been on the record saying that most consumers will not be excited by a new disc format – you need several real enhancements to sell a new format, and the only thing Blu-ray offers is higher video resolution for videophiles. Nonetheless, I always assumed that videophiles – and I am one – would be excited by Blu-ray.

But I got none of that from the launch. Samsung’s clearly artificial excitement bled away any possibility of the real thing. This was the official launch of a product I’ve been following and looking forward to for several years – there should have been no way for me to have felt like heckling during the presentation. I have been to product launches where Steve Jobs made me excited about a sneaker/iPod combo for hard core runners, and I have not run anywhere since I was in fifth grade. I’ve been to product launches for televisions – Samsung televisions, in fact – that made me want to pull out my credit card. I have been to product launches for high definition audio formats that I knew were dead on arrival, but at least they made you believe, for a little while, that they might succeed.

The actual Blu-ray experience may be a lot better than Samsung’s launch of the first Blu-ray player. I certainly hope it is.

-avi

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Wired Offers Flat Panel Buying Advice

Logo28_wirednews_1 Wired offers flat panel buying advice, and quotes yours truly about plasma burn-in and the analog TV reception at my in-laws house: http://www.wired.com/news/technology/0,70349-0.html?tw=wn_index_2.

A lot of that interview didn’t make it into the article. For example, the "gotchas" of buying a flat panel include:

  • Not budgeting for a wall mount (which can cost up to $500 plus installation)
  • Spending more to upgrade to a 1080p display (instead of 720p) in an environment where the extra resolution will not be visible (either because the user sits too far away for the eyes to resolve the added detail, or because most of the programming is 720p sports content which gains nothing by being upsampled to 1080p)
  • Stretching the budget to buy more video and assuming that the panel’s speakers will be "good enough" to provide a satisfactory audio experience. With all the good on-wall speakers coming out from reputable brands like Definitive Technologies and Polk, there’s no longer a stylistic excuse not to get a good set of speakers. On-walls also tend to be more affordable than in-walls for similar audio quality.

-avi

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2005 In Review / CES 2006 Review, Pt. 4: Media Formats

Part IV of my post-CES scribbles; each of the next few posts includes a quick look back on 2005 trends and a quick discussion of products introduced at CES 2006. This installment: Media Formats

In 2005…

The warring HD disc camps (HD-DVD and Blu-Ray Disc) could not achieve compromise, but did not actually ship anything to the market, either. With nearly no support from content owners, SACD and DVD-Audio essentially died in 2005.

At CES 2006…

Toshiba hyped its first HD-DVD player at the modest price of only $499. In contrast, Pioneer announced a single Pioneer Elite Blu-Ray Disc player for $1800. Sony is still expecting to sell PS3’s with BD playback capability (and a reasonable price point), but no live PS3 units were shown at the show. In general, 2006 does not look like the year of prerecorded HD disc adoption. Pricing is too high, the available content library is too small, and there’s the whole format war issue. Worse, the DVD revolution is winding down, and even on an HDTV, many consumers will find that DVD is “good enough” regardless of the outcome of the format war.

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Product Review: Newpoint argo XL lifestyle antenna

The word "lifestyle" in this industry usually refers to speaker systems, designed to be as small and unobtrusive as possible. This often leads to poor sound quality – after all, physics are involved when pushing air, and its harder to do with less volume for the pushing.  You can beat physics with unique designs like the tiny subs with huge excursion (from Definitive Technology and Sunfire, among others), or simply tune products to what consumers are looking for (bright and punchy) and forget absolute musical accuracy.  Bose saw tremendous success getting way ahead of the lifestyle trend, but with general audio sales down and the flat panel TV market booming, it seems that every manufacturer now has at least one "thin and flat" speaker system.

Newpoint_hd_argo_xp_lifestyle_antennaProving you can’t stop a good trend, Newpoint, a maker of surge protectors, cables, and other A/V accessories, has introduced the argo XP lifestyle antenna.  Yes, an OTA HD antenna, with a flat panel main antenna, all in plasma-approved silver. Newpoint makes a big deal out of its HDTV-readiness on the box, and literally calls it the "lifestyle antenna." You can’t get more decorator friendly than that. Newpoint was kind enough to send over a review sample.

In my last go around of (completely unscientific) testing, I found that Zenith’s futuristic looking thing beat a standard loop antenna for pulling in HDTV for three reasons: the signal stregnth meter generally reads higher on the Zenith than the Jensen, it’s easier to adjust the Zenith because it basically can’t be adjusted, and the Zenith looks cool (I’ve included a picture).  I have two of the Zeniths – one came with the HDTV tuner card I use in my Media Center XP box upstairs. Since I Gemini_antennawrote that review, I’ve become somewhat disenchanted with the product, because its odd design makes it easy to adjust but difficult to stay put in exactly that spot.  It also has a habit of breaking loose from its base and stabbing me in the foot.  I hate it when that happens.

Surprisingly, for a "lifestyle" product, the Newpoint got just as good reception as the Zenith. It isn’t better than the Zenith.  For example, it still won’t pull in certain stations like PBS – I suspect I’ll need a roof antenna for that.  However, ABC, NBC, CBS, Fox, and the WB all come in fine, weather permitting. The key difference is that there are a limited number of adjustments you can make to the argo XL, but the hinge mechanism is fairly tight – once you get it right, it stays put. The base is reasonably well weighted, so a jolt from the subwoofer won’t change its position, and it doesn’t stick out into the room and launch itself at your feet when you walk by. Finally, it too, looks like it belongs in a modern home theater, despite the rabbit ears on each side of the panel. 

I admit to being biased against lifestyle products, but Newpoint’s argo XL lifestyle antenna is inexpensive (under $30), looks good, and performs as well as its peers. I can easily recommend it as a first step before spending more on an amplified antenna or something for your roof.

-avi

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The XP Media Center PC Experience

This is the first in a series on experiences using and enhancing Windows XP Media Center for home theater.

When I needed to upgrade my home office PC earlier this year, I chose to buy a Media Center PC because of the endless testing possibilities it offers.  At the time, the Orb service, which lets you stream content from your PC to any Internet connected device, only worked on Media Center PCs (it still requires a PC with a TV tuner card to be compelling).  Media Center extenders require a Media Center PC as a hub (though I currently use an omnifi streaming media player, which will work on any Windows XP PC).  And previous experience showed that Microsoft’s 10 foot user interface was the most functional and elegant solution on the market.

1095c_for_web The Media Center PC I purchased, HP’s 1095c, comes in a full sized vertical case, not a living room friendly horizontal case.  It would not fit in well with a living room based on noise, either – a fan is constantly running.  The box came preloaded with XP Windows Media Center 2003; a coupon was provided for an upgrade to the much-improved 2005 version.  The upgrade process was relatively smooth and uneventful, but required a tremendous number of stops and starts and restarts (installation babysitting). 

Since then, I have had only one area of difficulty – burning recorded TV content to DVD.  For whatever reason, Media Center appears to think that the DVD recording drivers are not installed, and gives me error messages.  Loading third party tools – such as Roxio’s excellent Easy Media Creator 7.5 did not help (despite coming with its own DVD burning engine).  I also had trouble simply opening up the recorded TV folder within Easy Media Creator 7.5; the program routinely crashed.  Roxio assures me that they’re working on identifying and fixing Media Center glitches in future versions of the software. 

As a PC, the XP Media Center is an able performer – fast, and versatile.  I have not tried any hard core gaming or graphics tests, but I have done video editing on it using Adobe’s Premier Elements software.  As a home theater component, it is somewhat lacking, largely due to the limited screen size (currently a 19" Samsung LCD).  Audio is not a problem: I have hooked up both Klipsch’s 5.1 THX ProMedia speakers and Logitech’s latest Z-5500 THX 5.1 speaker systems (separate review coming soon). 

I was actually most surprised by its capabilities as a "media center."  This was unexpected, as I have reviewed XP Media Centers several times before, as dedicated home theater components in our basement (several early HP iterations of XP Media Center), and as "stereo cabinet replacements" in our living room (Gateway’s sadly deceased but not forgotten 610 system).  I’m certainly familiar with the basic functionality.  But I found myself using the system far more than I anticipated – in full 10 foot Media Center user interface mode – while working five feet away on my corporate notebook.  I find myself taking work breaks by watching pieces of The Simpsons, skipping through commercials and large chunks of the programming at will.  The Media Center is jukebox central, with playlists culled from (legal) downloads and several hundred CD’s burned to the hard drive.  I also queue up FM radio stations and skip through commercials (if the station has been "paused") or simply bounce around among multiple choices.

Dinovo_for_web Finally, to control all this from the other desk, I have one of two choices always at hand. One is obvious: the Media Center’s infrared remote.  But I also use Logitech’s Bluetooth DiNovo keyboard, which splits out the numeric keybad on a separate unit.  The satellite keypad contains several useful items, including a full calculator, notification of new email messages, and media control.  I keep the QWERTY section of the keyboard in front of the Media Center (with the mouse next to it in my undersized keyboard tray), and the satellite section on the other desk next to my notebook as a remote control/information center/calculator.  The DiNovo is expensive, and was intended to be a statement of style.  However, the form factor and flexibility makes the price tag justifiable without aesthetic considerations.

Coming up:

  • Adding ATI’s HDTV Wonder to the Media Center PC
  • Another Logitech method of remote control: the Harmony 680
  • Dual purpose monitors
  • 5.1 THX speaker system showdown

-avi

The XP Media Center PC Experience Read More

Woot.com Sells $1.3 million in TVs over 22 Hours

Woot.com has built on its relationship with InFocus and yesterday the one-item-per-day online outlet store flexed the power of its unique retail model: it sold out an allotment of 450 new (not refurbished) 61" ultrathin (6.85" deep) DLP RPTVs over 22 hours for $3000 each.  InFocus sweetened the deal further with a $500 rebate.  This TV typically cost $5,000 – $8,000, and includes 2 ATSC tuners, an NTSC tuner, a Windows CE-based web browser, and all the trimmings. Infocus_61md10_for_web Infocus_61md10_for_web2

With woot’s flat $5 shipping, this leads to some remarkable statistics:

Item Quantity: 450
Item Price: $2,999.99
Total Sold: $1,349,995.50
Last Order time: 10:05 PM Central Time (new items are offered at midnight, Central Time, so that means the entire sale took 22 hours)
Order Pace: a $3,000 TV sold every 2 minutes, 55 seconds, or $61,094.47 an hour.
Shipping Cost: $5
Shipping Total: $2,250
TV Weight (w/ stand): 189.5
Total Weight: 85,275 lbs
Rebate by Infocus: $500
Infocus Payout: $225,000

Obviously, Woot will be paying a bit more than $2 grand to ship 85,275 lbs. of merchandise direct to customers’ homes. 

In marked contrast to most Woot items, the order pace started slow – very few items moved in the first hour, as customers digested the information about the set and asked spouses for permission.  If you follow the flow of conversation in Woot’s forum, you find a clear pattern: initially, woot regulars whined about the high cost of the item (some Woot items sell for as little as $10 or $20).  Then, as word got out about the deal, a flurry of new customers posted their excitement and celebrating their purchasing savvy (or impending divorce due to differing monetary priorities — in one case, if the poster is to be believed, marriage counseling would be a far better use of his $3,000 than an HDTV). Woot appears to be following the Costco model and broadening its customer base by offering higher end products to be found in what was always designed to be a bit of a treasure hunt.

The key question other retailers must ask is how this will affect pricing going forward.  Will consumers tune out Woots as one-time sales – almost like a lottery win – or will this drive down pricing as customers expect to find "finds" going forward?

-avi

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