Sony Kills Blu-Ray Advantage with PS3 Pricing

When assessing the relative strength of HD-DVD vs. Blu-Ray for high definition disc format war handicapping, I have always been quick to point out that DVD is the likely successor to DVD, as it is "good enough" for most consumers and addresses a larger installed base of non-HDTVs in addition to HDTV sets with decent anamorphic ("enhanced for widescreen TV") performance. But the other thing I have noted time and time again is that Sony’s Playstation 3 (PS3) was a potential trojan horse, bringing Blu-Ray playback to the masses. At E3 today, Sony announced the pricing and availability for the PS3, and it’s… well, it’s late and it’s exhorbitant. In the U.S., the PS3 will start shipping November 17 for at least $500. $600 buys the version with HDMI, which you’ll need to get all that Blu-Ray goodness over to your HDTV. Will Sony sell more $500 and $600 PS3’s than Toshiba sells of its $500 HD-DVD deck? Probably, but this is hardly a price point that will resonate beyond hard core gamers, and the Blu-Ray capabilities are not a "freebie" when you have to pay $600 for it.

The PS3 pricing will come down over time, and so will pricing on standalone HD-DVD and Blu-Ray decks. And the PS3 may yet be the tipping point that puts Blu-Ray over the edge. But even if that does end up being the case, this trojan horse is going to take an awfully long time to mosey over the finish line. In the meantime, it’s looking like both formats will have a long, tough fight ahead of them, and may never amount to much more than the laserdisc of this era, to be replaced by on-demand downloads, holographic media, better codecs for red-laser media(DVD-something) or …something else.

-avi

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Half a Format War Arrives: HD-DVD is Here

HD-DVD was formally launched last week with a single, $499 Toshiba deck. HomeTheaterView has not had a chance to get in a review unit yet, but Evan Powell over at Projector Central bought a unit and gushes buckets about it.

Part of his review is a primer on the difference between 1080i and 1080p at the source vs. how its delivered to the display; this type of arcane differentiation is what pushes normal people to choose formats based on even dubious specs. For now, there’s nothing concrete to compare HD-DVD to in the market. But there’s so little content for HD-DVD that a few month lead over Blu-Ray probably won’t make much difference in the long run.

-avi

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2005 In Review / CES 2006 Review, Pt. 4: Media Formats

Part IV of my post-CES scribbles; each of the next few posts includes a quick look back on 2005 trends and a quick discussion of products introduced at CES 2006. This installment: Media Formats

In 2005…

The warring HD disc camps (HD-DVD and Blu-Ray Disc) could not achieve compromise, but did not actually ship anything to the market, either. With nearly no support from content owners, SACD and DVD-Audio essentially died in 2005.

At CES 2006…

Toshiba hyped its first HD-DVD player at the modest price of only $499. In contrast, Pioneer announced a single Pioneer Elite Blu-Ray Disc player for $1800. Sony is still expecting to sell PS3’s with BD playback capability (and a reasonable price point), but no live PS3 units were shown at the show. In general, 2006 does not look like the year of prerecorded HD disc adoption. Pricing is too high, the available content library is too small, and there’s the whole format war issue. Worse, the DVD revolution is winding down, and even on an HDTV, many consumers will find that DVD is “good enough” regardless of the outcome of the format war.

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Format Wars II: Revenge of the DVD

Tekrati picked up my post last week on the death of VHS, and implied that I said that Blu-Ray and HD-DVD killed off VHS.  Nothing could be further from the truth!  I often question whether there’s any mass market demand for a high definition format in the first place (and before I get flamed, yes, there is strong enthusiast demand.  I certainly want to go beyond 480p).  But only 11% of households have an HDTV, and anamorphic ("enhanced for widescreen") DVD looks pretty darn good on those sets.  We’re also going into the format war without clear and massive support from the content providers (many of the titles expected to launch this Christmas season for HD-DVD have been pulled).  In my opinion, the real key will be Sony’s PS3, which is supposed to have a Blu-Ray drive.  Will it ship on time?  Will it be affordable?  Will it be a huge hit based on its gameplay, and build an installed base of Blu-Ray players with consumers who would be reluctant to buy a high definition disc player on its own merits?

Regardless, the Blu-Ray/HD-DVD format war is a fiasco of the first order, and doesn’t affect existing formats in any way. Plain old DVD killed VHS. DVD sales are slowing, but that’s just a natural consequence of format saturation; in other words, once people build up their initial library of DVD titles, they stop buying as often.  But we aren’t seeing consumers holding off on DVD purchases because they anticipate the high definition release of the material. 

I was somewhat surprised that Beuna Vista’s backing away from VHS didn’t receive more press.  But this week Video Business reported that LucasFilm is releasing Star Wars Episode III: Revenge of the Sith on DVD only.  It seems that the recent Star Wars movie releases performed spectacularly on DVD, but did so poorly on VHS that many retailers sent back their VHS stock to the distributor and had to be destroyed.  Also worth noting: Video Business says Buena Vista will eliminate VHS entirely next year; I expect the rest of the studios to follow.

-avi

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Format Wars: A Format Dies!

Yes, at long last, the industry is consolidating the number of media types for pre-recorded movies… unfortunately, it looks like both Blu-Ray and HD-DVD will be launched as is, without any compromise.  This really isn’t all that unexpected, given the jockeying back and forth lately: Blu-Ray announced that its media can be manufactured inexpensively (which was supposed to be a key HD-DVD advantage) and HD-DVD announced 45GB capacity versions (nearly matching Blu-Ray’s 50GB storage, which was supposed to be a key Blu-Ray advantage).  But the two formats are fundamentally different at a technical level.  For example, the laser reads a different depth for each format.  It might not be impossible to create one player that handles both discs, but it turns out it is impossible to merge the two formats themselves.

So what’s dead? VHS.  I know I haven’t rented VHS since the dawn of DVD almost nine years ago, but I’m an early adopter; established formats generally take a long, long time to die.  However, Beuna Vista (a Disney subsidiary) has announced that Herbie: Fully Loaded will arrive on DVD on October 25th, and on VHS… never.  Keep in mind that this was a moderately successful family film, the type of title that often makes most of its money on video sales and rentals, if not at the box office.  This is the type of title that keeps full frame versions alive.  This is the type of title that traditionally sold well on both VHS and DVD.  And yet, Beuna Vista plans no VHS version.

May the VHS format rewind in peace.

-avi 

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The Sony PS3 and HD-DVD/Blu-Ray Reapprochment

There’s been a flurry of news over the past month about Blu-Ray and HD-DVD backers getting together to avoid a format war for the next generation of high definition discs.  I’ve avoided covering each step on the drama, so here’s a quick recap of the posturing between the two camps:

  • "Hey, we’re new here at Sony, and going proprietary hasn’t worked out so well in the past few years. Let’s work this BD/HD-DVD thing out"
  • "OK"
  • "Um, we can’t,"
  • "No, really, we’re still trying,"
  • "Look! HD-DVD can do 45GB per disc, too!"
  • "A single format doesn’t look likely – the technologies don’t mesh well."
  • "…but we’re getting our CEOs involved to hash out licensing revenue share possibilities"
  • "Nope, not looking likely…"

To this, Bill Hunt over at The Digital Bits took in a bit of E3 hype and concluded that Blu-Ray has already won (5/17/05 "Early Post"), based on the potential PS3 installed base:

I’m going to go out in a limb right now and post something that some of you may consider a bit controversial. But I think the writing is on the wall. I think the format war is over before it’s even begun, and the Toshiba/HD-DVD camp is toast.

Why? You know how many PlayStation 2 systems Sony’s sold since that unit’s launch? 87 million. Let me repeat that. 87 million. 1.5 million were sold in the PS2’s first month of availability alone.

I already covered the PS3 angle back in March noting that with PS3 support, Blu-Ray should be able to solve the chicken and egg problem better than HD-DVD to get an installed base. Of course, that assumes that Sony prices the unit within reach of the masses. Despite lots of details coming out of the PS3 launch this week, pricing hasn’t been announced, so Sony could theoretically decide to sell the PS3 at $999 and kill the market.  They won’t do that, but console pricing will have an outsized impact here.

-avi

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Product Review: LG LST3510A HDTV tuner/DVD player

New connectivity options often drive product design, and DVI/HDMI is no exception.  DVI and HDMI are interfaces that allow you to keep the signal in the digital domain throughout their journey, making hookup simpler, and providing a noticeably sharper picture when viewing digital content (such as DVD or HDTV) on digital displays (like plasma, LCD, DLP, or LCOS), as the signal is never converted back and forth to analog at all.

I’ve already written about how computer-like interfaces open up the A/V cable market to new entrants, but every product in the A/V chain may need to change as well.  There are already DVD players with DVI outputs from Samsung, V, and others – some at prices barely above non-DVI equipped models.  Most current HDTV tuners and set top boxes have DVI or HDMI outputs. TVs and front projectors have embraced the interface, but only partially – most offer just a single DVI or HDMI input.  So how do you hook up two things to one interface?

While specialized switching gear exists, it’s not usually cost effective, so A/V switching is a classic task for a receiver (along with audio processing and amplification).  For the moment, the only receiver or processor that I know of that switches DVI for you is Sony’s ES STR-DA9000ES flagship… a $3,000 behemoth.  Outlaw Audio has announced a more affordable receiver due out… eventually (after botching the 950’s product launch they’ve gotten a lot more conservative with their release date announcements).

LG has an interesting solution – combine the two most likely sources into a single component.  The LST3510A combines an upconverting DVD player with an ATSC (over the air) HDTV tuner, and a single DVI output for both sources.  It works extremely well… when it works.  The manual is terrible, offering little actual information about either the DVD functionality or HDTV tuning.  The on screen user interface is excellent – but it doesn’t control output format (a variety of choices including 480i, 480p, 720p, and 1080i).  For that, you need to use two switches on the front, which toggle back and forth between selection and change.  While relatively simple, I found this maddening and have never successfully changed settings on the first or second try.  It also precludes easily programming different resolutions for different displays or source material into a universal remote control.  It’s own remote control is pretty good – no backlighting, but buttons are differentiated by size and shape, and overall layout is reasonably intelligent.

HDTV tuner performance is exceptional, which was not surprising given Zenith’s long history with the standard (LG owns what’s left of Zenith, including their HD patent portfolio). The LG LST3510A locked in on some unamplified signals, indoors, in my basement, using a simple UHF loop antenna, when the signal meter read almost zero, and with a lot of multipath distortion (signals bouncing around off of obstacles – my house is not in an ideal HDTV location).  This equals or bests any other HD tuner I’ve seen. 

The channel guide did not reliably work, but that may be dependant on the broadcasters, so I’m not sure whether to fault LG here. The tuner is ATSC-only.  No NTSC (regular TV), no analog or digital cable, no satellite.  So even if the guide were to work, you’d be limited to seeing HDTV programming.  There’s also no digital output such as IEEE1394 (Firewire) suitable for copying the HDTV signal to DVHS tape or to a hard drive like a ReplayTV or TiVo unit.  Sure, over the air HDTV is incredibly detailed, but being forced to watch commercial television on the network’s schedule with no control over commercials is cruel.

DVD upsampling performance is also exceptional.  I noticed no artifacts, excellent 3-2 pulldown, and there was noticeably more detail in upsampled 720p images over DVI than in 480i playback over component video from my "reference" Panasonic and Sony DVD players.  Sure, those are budget decks, but then the LG isn’t all that expensive either once you consider the cost of standalone HDTV tuners.  The point is, if you go with an all digital signal path, you want there to be a difference, and in my experience, that difference is clearly noticeable. Not earth shattering, mind you, but clearly noticeable nonetheless.

This high performance convergence does come at the cost of audiophile friendliness – neither high resolution multi-channel music format is supported.  I suppose truly serious audiophiles may simply add a dedicated DVD-Audio and/or SACD player to the rack – analog connections should be fine for the limited video content on those discs.  Everyone else will continue studiously ignoring both formats.

Overcoming Initial Flakiness

As great as I found the HDTV and DVD performance to be, the unit as a whole didn’t always work at first, and I couldn’t begin to tell you why, as I haven’t been able to replicate the problems.  Most of the time, the unit started right up, the TV locked onto the signal, and everyone was happy.  However, for the first two months I had the unit, once in a while it would start up in whatever mode you left it in (tuner or DVD), but if you subsequently switched modes, the TV wouldn’t pick up the signal. Sometimes the audio signal sent to the receiver was out, too.  And sometimes, the unit started up and neither audio or video were working.

Any number of things seem to reset the machine – or not.  Turning the unit on/off, cycling through display output resolutions, switching modes, removing/inserting a DVD.  I have heard numerous problems with DVI input/output incompatibilities, and HDCP copy protection on top of them, so my experience is likely not unique. While the video sync could be a problem interacting with my TV (lately, a 50" JVC D-ILA), the occasional audio sync problems suggest problems with the unit itself.  Perhaps it was just getting used to its new environment – the gremlins seem to have completely disappeared.

Another problem I have with the unit is not it’s own fault, but can be blamed on the dual-use nature: Logitech’s Harmony remotes, which magically program themselves over the Internet, choke on the LST3510A.  The big problem is determining whether the LG should be considered a DVD player or an HDTV tuner.  It’s both, but the Logitech software treats the unit differently depending on how you classify it.  Logitech tech support assures me that they’re working on the problem, and when I updated the remote to account for a new receiver several new commands for the LG showed up as well. Progress!  In the meantime, I could simply program the Harmony remote manually, but if I’m going to do that, I could just use my Philips Pronto – if I had time to program that…

Conclusion

Until reasonably priced receivers with DVI and HDMI switching are common (and we’ve all been compelled to upgrade our existing gear), it makes a tremendous amount of sense to add an upsampling DVD player to an HDTV tuner in a single box with DVI or HDMI outputs.  In addition to its sensibility, LG’s  LST3510A is a bargain at only $399 – some less capable HDTV tuners cost more, making the DVD playback essentially free.  However, there were clearly some glitches in my setup where the TV, receiver, and LG unit were not communicating properly with each other at first.  I’m keeping my unit, but as much as the raw performance and value push me to recommend this product, I cannot do so unconditionally.  Buy one, but make sure the retailer will take it back if your TV won’t play nice with it.

-avi

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Something There Is That Doesn’t Love a Format War

It seems like everybody’s writing stories about the upcoming HD disc format war between HD-DVD and Blu-Ray (BD).  The technical specs are reasonably locked down, but everything else is up in the air – perfect fodder for journalism/rampant speculation.  Gizmodo had prematurely called HD-DVD the winner based on studio support (I called them on it here).  More recently, DVDFile.com posted a follow up of sorts – also trying to predict a winner based on the various studios and where they’re currently lined up on the issue. This is pretty hard to do because the studios are about evenly split, and will likely move to whichever format appears to be winning.

A couple of key points that tend to get overlooked:

HD-DVD is cheaper/easier to replicate.  OK, this isn’t overlooked, everyone points this out.  But the implications go well beyond speed to market and Warner’s willingness to flood the market with titles.  Plain old DVD penetration is now approaching 75% in the U.S. market. With cheap players, cheap software, a huge installed base, and no need for an expensive high definition TV, regular DVD looks likely to remain a mainstream format indefinitely.  No HD format is going to kill off regular DVD any time in the next decade; killing the golden DVD goose would be suicide for the studios.  If Hollywood is going to make any additional money over and above regular DVD revenue, there are just two ways to do it:

·        One way is to sell high definition discs as a higher priced separate SKU in addition to regular DVDs. Never mind retailers’ reluctance to stock even more SKUs of each title, nobody wants to reinvent the limited laserdisc market.  However, I should point out the videophile market is considerably larger now than it was: Joe and Jane Q. Public has gotten used to director’s commentaries, proper film aspect ratios, and are beginning to gain exposure to HDTV.

·        The other way is to sell HD-DVD as part of every "collector’s edition" SKU along with regular DVDs. If HD-DVD replication costs are essentially the same as regular DVDs, that would enable studios to continue with a business model that seems to be working already: a basic movie-only SKU, and a deluxe, 2 or 3 disc collector’s edition — only one of those discs has the movie on HD-DVD, adding value, and keeping the pricing of the collector’s editions from slipping down DVD’s brutal price curve. This strategy may also negate BD’s space advantage — just keep all the supplements on the regular DVD disc – most of them don’t have to be in high def anyway.

So HD-DVD is a winner, right?  Not necessarily.  At least initially, prices for the decks will be in the $1,000 range.  CE vendors will be reluctant to push prices too low, too quickly, as there’s no margin left in regular DVD players, and they’ll want to make back their R&D.  Still, prices will have to fall fast because a pricey HD-DVD player is going to be a tough sell with a full blown format war on — consumers will simply wait on the sidelines.  Even with reasonably priced players, DVD may be considered "good enough" and consumers may direct their attention elsewhere in CE-land (it’s shocking, but if you look at the numbers, apparently everyone has not bought an iPod and a cameraphone yet). And then you have a classic chicken and egg problem — just how much will studios push a format for an installed base that doesn’t exist? 

It’s here that BD has a secret weapon: the Sony Playstation 3.  If Sony’s next gaming console is a hit, that will put millions of subsidized BD players in homes, neatly solving the player/software chicken/egg problem. If the software is difficult to master and costly to replicate, you still may end up with a more limited, laserdisc-like audience.  But if HD-DVD players don’t sell in volume, a limited videophile market may be all we get from this group of HD disc formats, until the next new thing rolls along, or the whole industry goes hard drive or on-demand.

Aren’t format wars great?

-avi

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This Disc Will Self Destruct. Interested?

Wired is reporting that Disney has given up on Flexplay’s EZ-D disposable DVD format.  The press had a field day getting environmental activists all riled up against the format, but that’s just a sidebar.  If consumers found disposable DVDs moderately convenient, then the used discs would end up in the landfill alongside the rest of our disposable society.  If the discs were a smash hit, then we’d end up with another color plastic recycling bin for media (which might not be a bad idea anyway.  I must throw away hundreds of discs a year, even after AOL stopped mailing them to me twice a day).  Since the format didn’t even make a dent, conventional wisdom says that consumers aren’t interested in a disc that self destructs 48 hours after you open the case.

Conventional wisdom is wrong – the product hasn’t been adequately tested to determine anything at all about consumer willingness to adopt one-time-use media.  Simply put, the business model here is all wrong.  Traditional video rental places won’t carry the product because there’s no return trip to encourage repeat business, and the pricing structure doesn’t fit in with their large scale agreements with Hollywood. Non-traditional locations (supermarkets, convenience stores) can’t sell the product at $5 or $7 each – there isn’t much margin in it for them, and they’re already carrying regular DVDs that sell in or just above that range.  Target has an entire line of DVDs for $5.50, including some decent flicks (for example, the Special Edition of Total Recall).  Other limited-use entertainment is priced lower: any cable subscriber with a STB can get VOD from their cable provider for $3 to $5 without ever leaving the house (and many digital systems provide for multiple start times or fast forward/rewind capabilities). 

So let’s recap: nobody wants to sell this, “real” DVDs are priced at or just above EZ-D, VOD is priced below it. How exactly do you conclude from this that consumers aren’t interested in anything that self destructs after 48 hours?

Somewhat related, The Wall Street Journal had an article today (I got the paper version, no link, sorry) comparing services for legally downloading and watching movies over broadband on a PC. MovieLink and CinemaNow provide downloable movies for $3 to $5, which also self destruct (within 24 hours of hitting “play”).  However, there’s a unique value proposition there for anyone who specifically wants to watch movies on their PC (for example, notebook users heading out on the road).

-avi

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Upsampling is the new progressive scan

I don’t know why this didn’t come out at CES, but Samsung is expanding their lineup of upsampling DVD players.  The key product feature is added 768p support, which is the native resolution for many plasma and projectors (the players will also do 480i for regular TVs, 480p for digital EDTVs, and 720p and 1080i for other HDTVs).

This is great news if you have a recent model 768p TV with DVI or HDMI, but this is NOT HD. It’s merely moving the process of image manipulation from your TV over to your DVD player. Your HD TV has more lines of resolution than are on a DVD, so the image must be upconverted somewhere; doing it in the player itself can offer a slightly better picture by keeping the signal digital throughout its journey from disc to screen.  Of course, that’s only if you

  1. have a digital TV
  2. with digital video inputs (DVI or HDMI)
  3. use those inputs, and
  4. set everything up correctly.

I highly doubt most consumers will understand the nuances or set things up to properly take advantage of them.  I remember how many questions I got when progressive scan DVD players came out (progressive scan DVD players make NO difference on analog TVs and often make no difference even on digital TVs that have good internal image processing). Lately it seems that any time you put the word high definition in the product description, consumer confusion ensues.

But can you blame the CE industry for trying?  Margins on regular DVD players (even ones with progressive scan) are in the toilet. My supermarket sells $29.99 DVD players.  So does the local gas station.  Banks give them away instead of toasters when you open a checking account.  Adding progressive scan didn’t help things for manufacturers, as that simply became another feature on even the cheapest DVD players.  Consumers rejected Nuon and similar "DVD and" schemes, and consumers are ignoring DVD-Audio and SACD without even discovering that they exist.  Video killed the audio star (receiver and component sales have been dropping for years), and DVD has been a gravy train for Hollywood but not Japan.  HD-DVD and Blu-Ray are the CE industry’s last hope for reclaiming profits out of media players, which is why we’re getting a HD disc format war nobody wants.  In the meantime, the hope is that upsampling players will convince consumers to buy another deck (and spend actual money on it this time).

-avi

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